Be a scientist when you work, and a snake charmer when you present.
Perfect Blue (Satoshi Kon, 1997), Requiem for a Dream (Darren Aronofsky, 2000).
Credit to Every Frame a Painting which has a superb series of video essays on his channel, including one on the work of Satoshi Kon.
For more film and television comparisons visit www.teaandamovie.tumblr.com.
Vast chains of abstract conditions and requirements have to be picked through to discover things like missing commas. Doing this all day leaves you in a state of mild aphasia as you look at people’s faces while they’re speaking and you don’t know they’ve finished because there’s no semicolon.